CURATORIA structures provenance, valuation and negotiation into a unified workflow for curators, art traders and galleries, with controlled access for collectors.
Prototype built for an academic research project. Pilots available for validation rounds.
The art market still operates through fragmented and informal information channels.
Artworks are managed across emails, messaging apps, spreadsheets and disconnected PDFs. Provenance documents are dispersed, valuation criteria are subjective, and negotiation history is rarely structured or auditable.
This fragmentation increases transactional risk, prolongs deal cycles and undermines trust between curators, galleries and collectors.
Structured information leads to better decisions.
CURATORIA is based on the hypothesis that organizing provenance, valuation and negotiation data within a unified system reduces friction, improves transparency and enhances decision quality in art trading.
The platform is intentionally designed as both a functional product and a research artifact, enabling empirical observation of decision-making patterns in the art market.
A digital twin for each artwork.
CURATORIA transforms each artwork into a structured digital asset, combining historical, financial and transactional perspectives.
CURATORIA is accompanied by an original dataset built from artwork records, provenance attributes and simulated negotiation flows.
The platform supports applied research on provenance risk, liquidity, pricing dispersion and negotiation outcomes, positioning CURATORIA at the intersection of technology, art markets and decision science.
CURATORIA is currently a functional prototype developed within an academic context. The project is open to early-stage validation with galleries and collectors interested in participating in pilot rounds and research feedback cycles.
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Request early access or contact the project for pilot participation.
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